No Navi because I’m still standing in the middle of a f*****g crater
what you fail to realize is that video games shouldn’t cater to females in the first place. It’s largely known that it’s targeted towards the MALE demographic and has been for so many years, so why would they ask for something like that to be handed to them on a goddamn silver platter?
that’s like a guy walking into the women’s department of clothing at a sears and demanding that there be more clothing for men there. Separation of sections be damned.
that’s not how it fucking works
no not really
the game industry is more like walking into a regular department store and seeing that all the clothes are only men’s clothes
and when you ask the cashier where the women’s clothing section is, they wheel out a small rack of cheaply made tutus, g-strings, and high heels all in bright pink
and then when you go “wow really that’s it” you get called an uppity bitch and everybody assumes you want all the focus on you when in reality you’d just like to be considered a worthwhile demographic since you also like to wear clothes, it’s not like you want some ridiculous getup, you just want a solid shirt and pair of pants that fits you alright.
I mean hell you even sort of like men’s clothes and you have no problem wearing them. They suit you well. But it’s very obvious once you throw on a pair of men’s pants that they were not made for you.
^^^
Perfect metaphor is perfect.
PUNJAMMIES™ are made by women in India rescued from forced prostitution seeking to rebuild their lives. Proceeds from the sales of PUNJAMMIES™ provide fair-trade wages, savings accounts, and holistic recovery care.
THESE are gorgeous and I want some
this is really cool
neat
Wings
Movement and interactive relationship with the body has been the most important element throughout my body of work. However through these works, I also started to explore the mechanical structure as a form. Mechanical structure becomes the most enjoyable form to me as it becomes complex yet remains simple and coherent. The contrast between metal structural form and natural feather, together with the repetitive and whimsical movements of fragile wings, provokes the imagination and evolves the intimate relationship between work and viewer/wearer. Although the recent series, segmented wings have been focused on the formal challenge to engineer an intricate movement that simulates bird wings, these works are intended to be a series of poems in which I develope my own formal language, interpret the nature of wings, create various structural forms with movements, and share the metaphor, imagination, humor, with viewer/wearer.
